Showing posts with label Ken Volonte. Show all posts
Showing posts with label Ken Volonte. Show all posts

Friday, July 10, 2009

From Whom It Comes...


From Whom It Comes
by Ken Volonte

One good thing about staying up all night,
Was feeling the sun on my face through the window,
There at my desk where I wrote in the dark.

No all nighters for me,
Cramming down Faulkner or Murleau-ponti;
Kept awake with esketrall,
Given by my cousin willingly.
I tried it once or twice enough to know,
That if I didn't know it then,
I wouldn't learn it till I didn't have to.

But writing a poem with the sun in my face,
I felt that I could trust myself,
To trust the world and risk it all.
I felt like I could do anything,
And so I did.

Photo: flickr

Next: Separation from the herd and Joni Mitchell's Blue.

Saturday, April 18, 2009

False Witness


False Witness
by Ken Volonte

I could stop to ask, "Whose fault
That a friend of mine was killed last Saturday?"
Although to him it was still Friday,
So late or early was the hour.

My imagining could vault;
And I could say, "Oh, no! It isn't he."
But at that time and on that stretch of road,
It would be Jeff.
Oh, Jeff!

I could blame God,
Or the highway patrol.
I could say I had no right to live,
To live when Jeff had died,
To see him in every face on the street -
I could tell you stories,
But I won't.

Saturday, February 28, 2009

Skunked...


Poor Edison;
He just wanted to warn the fellow off.
My wife went into action right away.
"It's not a skunk! It's mace or pepper spray.
Call the police - call animal control!"

The cops were out in fifteen minutes.
Even the sargeant came out to have his say.
"Yeah that's a skunk" they said and drove away.

They'll talk about this downtown for a week;
Of the majesty of ordinary things,
And the travails late February brings.

(A poem by Ken Volonte. Yes, Edison is a dog.)

Photo: flickr (normy)

Thursday, January 22, 2009

light


I know that there's a light at the end of the tunnel no matter what I've been through. Ken Volonte

Sunday, December 28, 2008

Christmas Eve at the Golden Arches


By Ken Volonte. (Mario Volonte Plymouth/DeSoto operated in South San Francisco from 1939 through 1960.)

I suppose my most memorable Christmas Eve was the night my father took us all to McDonald's for dinner. We usually ate at the Leaning Tower in Redwood City just before heading up to my Aunt Jerry's for our annual gift exchange.

On this night, my dad hadn't bothered to make dinner reservations. Why should he? He knew that his old pal Joe Ercoli would have a table waiting at the Leaning Tower.

Every Christmas Eve, we dined on exquisite homemade breads, exotic and dangerous appetizers and strange drinks. My mother hated fast food places, even the ultra-plush Jack in the Box in our neighborhood.

It had not been a busy Christmas Eve for my father. Nobody had come in to buy a car at his Plymouth dealership, but at least no one had wasted his time before buying a used car which would fall apart within eight months... He decided to start celebrating early.

At exactly 1:00, he entered the Gondolier. He never went in there for the drinks, my father made himself clear on that point. They served good food and my dad had a profound respect for all things Italian - even for the bartender, a Genovese. By 4:00, my father had eaten and drunk enough bourbon and waters to eulogize the local undertaker who had died some years before.

At home, I hated getting into my suit. It was the iridescent suit from junior high and it made me itch, especially in the crotch, where you couldn't scratch on the eve of the birthday of our Lord.

Down the street from the Gondolier, the phone in the Leaning Tower surely hummed with people checking that night's menu or making reservations. At 5:00, my mother and I arrived at Nona's house. My father would show up soon with a bottle of Strega for Nonie and a corsage for my mother. After he showered, we would be at the Leaning Tower by 6:30.

But at 6:15, my father still hadn't shown. My mom called his car agency only to be told, "Hell, Marj, I think he's down at the Gondolier."

On the TV I heard, "At General Electric, progress is our most important product." We had a GE toaster at home. It didn't work right. Just then, the back door banged open and in walked my father. "Whoooooo is Bambolina, a bright old man is heeee," Dad sang. "How are you feeling?" asked my mother archly. "I," said my father, "have never been healthier."

Well, the reason we didn't eat at the Leaning Tower is that we didn't have a reservation. We didn't eat at Tad's Roast Beef Emporium because my dad said he'd once heard one of the cooks fart. Every other place was full up or closed. McDonald's was just about to close when my mother threatened divorce.

I had a Big Mac and a Coke. It was Christmas Eve.

Friday, November 7, 2008

Sacramento's Caron Vikre is a Musical Surprise



This review was written by Ken Volonte. The CD "Caron Vikre" was recorded in 1991.

A few weeks ago, I received a CD by Caron Vikre and I've been listening to it off and on ever since. This is a beautiful dark album made by a woman with secrets to explore. Her music is oddly familiar to my ears. It is distinctly Nordic in sensibility with dark swirling lyrics and surprising musical twists and turns.

How dark is Ms. Vikre's world? There is alcoholism here, and veiled references to suicide. There is love somewhere but nowhere found.

All of this angst is set against music that is, by turns cold and eerily funny. I can hear Stevie Nicks, the Beatles, and Neil Young with Cheryl Wheeler thrown in for good measure.

This music doesn't fit neatly into a category. It is, at once, rock, country, techno and torch song. I'm drawn to two songs in particular. Goodnight Kiss with its harmonies and instrumentation is glorious. Midnight in the Woods is every folk tale you've ever heard. This is fear, yet it skips along as though nothing is wrong. But time is inexorable and relentless and it only comes right with the final harmonic cord that lets you know everything's fine.

Caron Vikre's world is full of dangers and unresolved situations. Her music haunts me, but I have to put the CD aside, 'cause I don't want to live in a place where it snows all year round.

Sunday, November 2, 2008

Love American Style (a poem)



A poem by Ken Volonte.

It is the ending of a marriage,
A marriage end like the tolling of a bell,
A bell so beautiful and sad,
So sad with frozen music,
A music frozen like a lark that sang,
A lark now frozen in a flurry,
A blinding flurry all for show,
Like the ending of a marriage.