Showing posts with label music news. Show all posts
Showing posts with label music news. Show all posts

Wednesday, July 8, 2009

Some first final words on Michael Jackson...


"Unquestionably, his music was legendary. That's what will last." Aretha Franklin

I was not a late adopter to Elvis Presley. I was just 6 years old when I first heard his music and I knew on instinct - in the words of Bob Dylan - that I'd heard the sounds of a jail break "and I didn't even know that I had been locked up." When my father, in December of 1956, wanted to take me to see a Disney film, I agreed on one condition: that we would first stop at the record store around the corner from the movie theater. That's how I acquired my first 4-song Elvis Extended-Play 45.

The next September I was asked by relatives what I wanted for my birthday, and my answer to all was the same: "I only want Elvis records."

I was not a late adopter to The Beatles. I spent so much time at the three record outlets downtown that I was given hundreds of the "The Beatles are coming!" orange and white Capitol records sponsored stickers to hand out at my junior high school. Mission accomplished.

I will admit to being a late adopter to Michael Jackson (MJ) when it comes to buying his music. No one has to explain the fact that MJ's music was everywhere in the '80s, from nightclubs to dance clubs to city streets to your very own car radio. We thought, foolishly, that he'd always be around - wasn't he always young? - so we would add his music to our personal library at some point down the road. Then, just a matter of days ago, time ran out.

I remember now the first thought that went through my brain, on a night of business travel in L.A. many years ago, when I heard of John Lennon's death: "We'll never be young again." Childhood's end. (The end of the innocence.)

With MJ's death we again got older, a bit more quickly. But I need to say something here about his talent as a singer. Listening recently to some of his best and most famous songs - fast ones and slow ones - it finally ocurred to me that he had the same perfect timing as his friend and mentor Diana Ross. Take any MJ song and tell me where you would change his vocal... It's not possible. There's not a single instance where he should have come in a half-second earlier or a half-beat later.

Such is genius. Such is having The Gift. Such is being blessed with once-in-our-lifetimes talent.

MJ started something... the way he made us feel happy to be alive... he rocked our world and helped us to come together... it didn't matter whether we were black or white. His talent shone a light on us and our needless fears. He became the man on stage, in a small and somber world, who performed joyfully under the brightest of lights. We didn't have the need or the right to ask for anything more...

It was enough.

Monday, July 6, 2009

A Perfect M.J. Collection?


A married couple who are friends are mine happened to have previously owned Michael Jackson's HIStory 2-CD collection. After his death, they realized they could take 15 of the 30 tracks on HIStory to produce a fine one-CD collection. Here's the track listing they came up with which seems like a great career overview with the perfect song chosen as the closer:

1. Wanna Be Startin' Somethin'
2. Don't Stop Til You Get Enough
3. The Girl is Mine
4. Rock With You
5. The Way You Make Me Feel
6. Man in the Mirror
7. Beat It
8. Billie Jean
9. Thriller
10. Bad
11. Black or White
12. Come Together
13. Scream (duet with Janet Jackson)
14. D.S.
15. You Are Not Alone

Image: Amazon

Sunday, June 28, 2009

Flash! News: BET Honors Michael Jackson This Evening...


The Black Entertainment Television (BET) Network is tonight tranforming its annual BET Awards Show to a Tribute to Michael Jackson. This three-hour show honoring the late King of Pop will be broadcast from The Shrine Auditorium in Los Angeles, beginning at 8:00 p.m. (7:00 p.m. Central). Usher and Justin Timberlake are among the many stars scheduled to appear and perform.

For those in the greater Sacramento area, BET can be viewed on Comcast cable channel 73.

Saturday, June 27, 2009

A Secret Guide to Rock and Roll...



OK, so maybe it won't be quite as much of a secret after people discover The Girls' Guide to Rocking: How to Start a Band, Book Gigs, and Get Rolling to Rock Stardom. This is a book targeted towards girls as young as 10 years old and as "old" as 16. Well, if you haven't started your rock life by the time you're 16, then maybe it's never going to happen, right?

Just kidding, and here's a review of Jessica Hopper's book, written by Miles Ramer, as found in Chicago Reader. Enjoy.

http://tinyurl.com/o9eevq

Images: Library Thing, Powell's Books

Monday, June 15, 2009

Catch a rising jazz star in Sacramento on Wednesday, June 17th!



Ava Lemert is a jazz star on her way up and you'll have a chance to catch her headlining a show at Harlow's nightclub in downtown Sacramento on the evening of Wednesday, June 17th. This show begins at 8:00 p.m.

Ava is a singer, saxophonist - both tenor and alto - and song writer who offers the listener a lot of variety in her work. You might find her covering Alicia Keyes' "If I Ain't Got You," or singing classics like "Summertime" or "Over the Rainbow," or her jazz-rock-soul renditions of "Just One Look" and "More Today Than Yesterday."

It looks like a fun time will be had by all, and I'm hoping that Ava will find it in her Beatles-loving heart to throw in a jazzed up cover of a tune by Those Guys. "All My Loving" anyone?

For more information, go to the website listed below or contact Ava by e-mail at: ava@avalemert.com .

http://www.avalemert.com/

Sunday, June 14, 2009

Come See About the Supremes...



So let's say you've just discovered the mega-group from Motown, the Supremes (1964-1970). But you're on a limited budget. You wonder if it's better to buy the single-CD Number Ones collection; or wait for the forthcoming book - to be released on June 29, 2009 - The Supremes: A Saga of Motown Dreams, Success, and Betrayal by Mark Ribowsky?

Ribowsky's 408 pages seems a bit too long in both title and content. It is certainly not bad and Ribowsky earlier wrote He's a Rebel, a biography of Phil Spector. The problem is that this book could have been subtitled: The Social (or Sex) Lives of the Supremes.

The Supremes has details a'plenty if your priority is to find out who slept with who... yawn. When it comes to music, not so much. In fact, you won't find much about recording dates and details until you're near page 200. This reader felt that Ribowsky's read entailed too much work to find the information I was seeking.

To the contrary, delightfully, is the Number Ones CD on UM (Universal Music). This popular collection is now in its third release (earlier released in 2004 and 2007) and makes it easy as can be for the listener. Like The Essential Four Tops, the sound is mid-range and crystal clear. Special attention has been paid to bringing forth the vocals of Diana, Flo and Mary - and it shows.

The CD also offers a few treats, such as giving us longer versions of the singles in which the girls sing past the music's end; the single "Stoned Love" from the Diana-less second generation Supremes; and a dance re-mix version of "You Keep Me Hangin' On."

Ones contains all of 24 tracks in chronological order from "Where Did Our Love Go" - the one track without the best sound - to Diana's "Endless Love" 1981 duet with Lionel Richie. The Supremes' best song - an opinion shared by Holland, Dozier, Holland - "Come See About Me" has never sounded better!

Only one arguable essential track has been left off of Ones, the pre-"Where Did..."/"Baby Love" single "When the Lovelight Starts Shining Through His Eyes." (But then their second album is still available as a separate CD.) "Lovelight..." was the song that first exposed most disc jockeys to the genius of the Supremes, and it was to be perfectly covered as an album track by the late, great, Dusty Springfield.

Our recommendation: Choose the Number 1's CD ($13.98) and hold off on Ribowsky's book ($26.00) until you can borrow it from a friend or purchase it in paperback.

Thursday, June 11, 2009

Van Morrison: the reluctant astral light...


This is an article, abridged, originally published by Reuter's UK on June 10, 2009.

LOS ANGELES - Van Morrison's "Astral Weeks," which failed to crack the U.S. or British pop charts when it came out in 1968 is now regarded as one of the greatest musical works of the rock era and is generating new interest more than 40 years (after) its release. Undaunted by the initial commercial setback, the Irish soul singer says he "just moved on" to his next project: The 1970 album "Moondance" whose title track is one of his best-known songs.

If "Astral Weeks" had generated the sales commensurate with its eventual stellar status and transformed him into a huge pop star, Morrison (has) no doubt(s) about his reaction. "I would have quit the business had that happened," he said in an e-mail interview. "I am not one who has ever taken well to fame and what that attracts. It's a drag. I just wanted to be a songwriter and a singer. I did not bargain for all the rest..."

Morrison, now 63, has spent his entire career trying to dodge "all the rest..." in the process becoming one of rock's most unknowable figures. Morrison has earned a reputation as a grumpy old man and has zero tolerance for showbiz frivolity. He even failed to turn up (for) his Rock and Roll Hall of Fame induction in 1993.

But Morrison remains proud of "Astral Weeks," which ranks at No. 19 on Rolling Stone magazine's list of the greatest albums of all time and is now a steady seller. The (original album), recorded in less than two days in New York City with a jazz quartet was a marked departure for the singer of "Gloria" (with Them) and "Brown Eyed Girl."

Morrison had spent years crafting the songs, setting mysterious lyrics referencing his Belfast childhood to multilayered arrangements. The centerpiece was "Madame George," a 10-minute piece whose meaning confounds the writer and his fans to this day.

"I was practicing songwriting... Each composition is a fictional story I made up to work on my craft... The rest of the stories people (create) about my music is fiction(al) as well. I do not... write about me. I write about the collective, the collective unconscious."

While many artists of a certain vintage avoid dwelling on their past glories, Morrison is simply revelling in "Astral Weeks." To mark its 40th anniversary, he performed the album in its entirety at two shows in Los Angeles last November, and released the DVD "Astral Weeks: Live at the Hollywood Bowl." A CD was also released. He has also revived "Astral Weeks" at sold-out shows in London and New York City.

Morrison has been accompanied on stage by an orchestral string section (and) a band comprising two of the veterans from the original "Astral Weeks." Morrison said movie studios have expressed a lot of interest in licensing the live recordings. It helps that the vague lyrics can be applied to virtually any situation. "Any film would be done right by the live versions of these compositions," he said. "Each can tell a story - whatever story one wants to make of it. That is their stuff - not mine."

Tuesday, June 9, 2009

A Strange Little Girl Plays Oakland on July 13, 2009...



The talented Tori Amos plays the beautiful Paramount Theatre in Oakland, California on the evening of Monday, July 13, 2009. Time...

Monday, May 25, 2009

A preview of a coming attraction...


Oh, wait, this Los Angeles Times advertisement is from May 20, 1959!

Friday, May 22, 2009

You read it here first - Green Day will play Sacramento!



That's right, we have this music news flash for you... Green Day will play at Arco Arena in Sacramento, with or without Wal-Mart's approval, on the evening of Monday, August 24, 2009.

Put it on your calendar now!

Saturday, May 16, 2009

Bob Dylan Warms Our Lives...


We earlier posted three separate reviews of Bob Dylan's latest album, Together Through Life, and expected that this would be the end of our highlighted reviews... Until we came across this review by Bob Lines - abridged here - published in the UCLA Daily Bruin on Tuesday, May 12, 2009.

From the Daily Bruin to Troy Bear:

Bob Dylan achieved his fifth Billboard No. 1 last week. His 33rd studio album, "Together Through Life," beat the soundtrack from "Hannah Montana" to claim the top spot.

Excuse me while I briefly celebrate. It's not that I have anything against Hannah Montana per se (I'm sure the soundtrack's great), but it's a moment for small jubilation when, in the age of Miley Cyrus, the music of Bob Dylan reaches a large audience.

That said, "Together" is probably the weakest of Dylan's albums since his stellar comeback in 1997 with "Time Out of Mind" - but this is hardly a criticism. It's just that the sound of the latter-day Dylan is fairly familiar to his fans, and here Dylan doesn't do much new. He sings with the same grit and wheeze and employs the same mix of jazz, spiritual and blues, just without as many good songs.

At its worst, "Together Through Life" feels humdrum and turgid. The finger-picked electric guitar and staccato organ work well on the good tracks but feel bland on the weak ones. The album's opener, "Beyond Here Lies Nothin'," a low-key blues turn almost slides into pastiche, heavily influenced by the songs of Chuck Berry and Little Richard.

"If You Ever Go to Houston" could have been cut from the final track list: the song feels like a cut-and-paste of the blues ballads of the '50s that Dylan plays so regularly on "Theme Time Radio Hour." The lyrics, co-written by former Grateful Dead lyricist Robert Hunter, are similarly lackluster.

Nevertheless, the album is a welcome addition to the Dylan catalogue. "Life is Hard" is a sweet melancholy ballad, originally written for Olivier Dahan's upcoming film "My Own Love Song." The gentle slide guitar accompanies Dylan's straining voice. As Dylan stretches his vocals to (the) breaking point, he sounds more vulnerable than ever.

The penultimate track, "I Feel a Change Coming On," is both a nod to the presidency of Barack Obama and a mischievous and wistful ode to an old lover. Add into the mix a cheeky reference to James Joyce, and you're left with Dylan at his best on "Together..." Here, David Hidalgo's organ-playing alongside Dylan's affectionate vocals is a welcome addition.

While the album doesn't reach the heights of "Love and Theft" or "Modern Times," it's still a pretty good effort from the nonstop touring 67-year-old. Dylan could have easily not released anything for the last 20 years. If he had died sometime after "Blood on the Tracks," his reputation would have been firmly cemented with Lennon, Hendrix and the other members of rock royalty who have sadly passed on.

Dylan was never one to spend retirement pottering around the garden. Now the challenge for both Dylan and his fellow rock elder statesmen is how to mellow into old age without declining into parody or Starbucks-promoted cheese.

Dylan has done neither, but then we wouldn't have expected him to. His late career return to form has been more than we could ever have hoped for. As such, every record he gives us should be savored like the final days of a wonderful summer - it will be cold when he's gone.

Thursday, May 14, 2009

The View From Boston On Green Day's New Rock Opera...


Click on the orange link below to read this review from the Boston Herald.

Green Day’s nervous ‘Breakdown’ - BostonHerald.com

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A Good or Bad Day for Green Day?


Here's an early review of the new Green Day album, 21st Century Breakdown. Is it formula rock or the next Sgt. Pepper's or Tommy? Click on the orange link below to read the review and make sure to also listen to the podcast.

The Daily Californian :: Green Day Go Bombastic in New Work

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Listen to Green Day's New Album Now, Buy It Soon...


Green Day's new CD, 21st Century Breakdown, is getting rave reviews from the critics who have heard it. The new album is scheduled to be released for sale online as early as Friday, May 15th and should hit the stores on Tuesday, May 19th. But you can hear it right now, along with two exclusive tracks...

To do so, go to www.starpulse.com, enter Green Day into the search box at the top of the page, and you'll then see a list of News articles. Click on "Listen to Green Day's New Album Before It's Release." The new album includes 18 tracks and, again, on this site you will also hear two bonus songs.

Have fun and come to your own decision on whether this rock opera turns Green Day into the second coming of The Who.

Wednesday, May 13, 2009

Mogwai hits San Francisco...


Scotland's finest quintet, the creators of music as the soundtrack of your life, will play in downtown San Francisco this coming Sunday, May 17th. Mogwai performs at The Grand Ballroom, 1290 Sutter Street, with Dead Meadow opening the show that begins at 8:00 p.m. For information, call (415) 673-5716.

If you're fortunate enough to make the show, make sure to yell out for I'm Jim Morrison, I'm Dead and I Know You Are, But What Am I. According to one source, Mogwai's live show "remains one of the best around, with a potent balance between delicacy and power." (flavorpill)

Peace, brother, may it serve you well.

Photo: flickr (Toni Blay)

Next: How you can hear the new Green Day CD before it goes on sale.

Friday, May 8, 2009

Circles: Interviewing Jenny Dalton (first of two parts...)


Hello. Today we're interviewing the singer-songwriter-musician-poet Jenny Dalton. I'm going to try not to take up too much of her valuable creative time, which is one reason we're splitting this interview into two parts. I'll be asking Jenny a few brief questions today and tomorrow.

First, I would like to make an observation directly to Jenny. The one thing that bothers me when I read articles about you is that you're generally compared to a small and select group of women musicians. That's fine, but let me make an exception to this...

I like the way you use humor, for example, at the end of the song Snow Mazes of Norway. This reminds me of Paul Simon. And there's something in your storytelling, on a song like Dear Paul, that reminds me of the late Jim Croce. Maybe it's just because of his song These Dreams, or maybe it's something more.

But let's start...

Is it true that you're a self-taught piano player or is this a web-fostered myth?

JD: It's fully true that I am self-taught. I still don't consider myself a real musician because I don't know how to read music or even tell my band what key a song is in. I took a 30-minute piano lesson once when I was in high school and couldn't handle it because, by that time, I was playing classical pieces by ear. I had no patience for Mary had a Little Lamb.

Do you take after anyone in your family in terms of your musical and creative talents and abilities?

JD: Not really. As far as I know, there are no other songwriters in my family. I think I was a genetic fluke! My dad and brother were both drummers, so I think I have a higher appreciation for percussion than most people because of that. Maybe that's also why I love the piano so much: it's both melodic and percussive.

How important is it to you to have your own independent career as opposed to, for example, being a single member of a relatively successful band?

JD: I'm not good at being in other band projects. My brain just won't let me work that way. I can improvise well enough, but I have no memory for what I play or for other people's song structures. It's kind of weird. So I have no choice but to do my own thing. And as far as the industry goes, I also have no choice but to do my own thing. Until the larger record label infrastructures figure out how to successfully deal with the changing landscapes, I think I'm on my own. I kind of like it that way though for now.

The writer John L. Parker, Jr. has indicated that for the true runner, running is as important as life itself. I get the feeling that this is the way you feel about music. Am I correct?

JD: Absolutely. I hate to think of who I'd be without the music. I know that while I was pursuing a more "standard" life track and ignoring the music part of myself, I felt really sick and imbalanced. It's so, so, so important to listen to the gut. If I didn't, I'd probably be a very unhappy, estranged girl by now. Despite the moodiness of my music, I'm actually a happy person.

These are the first four questions we had for Jenny, and we hope we've peaked your interest! We have five additional questions for her tomorrow, including two or three unique - we hope - questions.


http://jennydaltonmusic.blogspot.com

Monday, March 30, 2009

The Purple One Wows 'Em in L.A.


Abridged from USA Today - article by Edna Gundersen, March 30, 2009:

LOS ANGELES - Churning out hits, covers, obscurities and new tunes, Prince thrilled audiences at three back-to-back concerts Saturday night in Los Angeles. The electrifying sprint, which found the funk-rock legend dashing from the Nokia Theatre to the Conga Room to Club Nokia to perform with different bands, was to promote his new triple-disc bundle, LOtUSFLOW3R, MPLSoUND and Elixir, available at Target.

Despite battling sound systems in each venue, Prince was animated and engaged. He invited fans on-stage during the first show, packed with such crowd-pleasers as 1999, Let's Go Crazy, Purple Rain and Kiss and capped by Sheila E's appearance for Glamorous Life.

With Ron Wood looking on, the Conga Room unleashed the guitar fiend in Prince during a hard-rocking set that boasted Jimi Hendrix' Spanish Castle Magic and the new Colonized Mind and Dreamer.

The final show kicked off at 1:00 a.m., an hour late because of sound-check delays. The concert spotlighted Chaka Khan on her soulful Sweet Thing and closed with Insatiable, Scandalous, The Beautiful Ones and Nothing Compares 2 U.

Note: Elixir is actually the debut album by Bria Valente, produced by Prince.

Photo of Prince and Sheila E. by Ryan Muir (flickr).